by Elaine Newman and Ed Burnham
EXT. FIELDS - DAY
DR. MIKE, SULLY, CLOUD DANCING, BRIAN AND COLLEEN are out gathering
wildflowers and herbs. Cloud Dancing is showing two nearly identical
leaves to Mike and Sully. Wolf rests beside Sully.
This one cures. This one kills.
(distressed) I can't see the difference.
What you cannot see you can feel.
He runs her fingertip over each leaf. Mike and Sully exchange a
One is sticky.
That is the poison.
Brian comes running up to Cloud Dancing with some bulbs.
I found some wild onions.
We'll have them for supper.
Colleen approaches with some flowers.
Aren't these pretty?
That is called (Cheyenne word).
We call it Camomile. It makes a lovely tea. Very restful.
Also good for stomach trouble. (Half beat). The earth give us everything
if we know how to look.
They exchange a smile. Suddenly we hear a gunshot echo on the wind.
Followed by a low rumble.
Cloud Dancing, Sully and Wolf, run to the ridgeline in the direction
of the gunfire, and Mike and the children follow.
ANGLE ON THE RIDGELINE
as everyone appears and looks off in the distance.
LONG LENS - (stock)
A herd of buffalo are running away from us in a valley below. More
shots ring out.
ANGLE - HERD (stock)
as several buffalo fall in their tracks.
ANGLE - TATE RANKIN
a leathery buffalo hunter. Rankin raises his rifle and aims, fires
again. He starts to reload, sees something.
RANKIN'S POV - WHITE BUFFALO
standing alone in the distance.
BACK TO RANKIN
as he rubs his eyes, not sure what he saw. He raises his rifle,
EXT. RIDGELINE - DAY
The family listening to the gunfire echo in the distance, watching
BRIAN: (to Mike)
Ma, what's he doing?
He's been hired by the railroad to kill buffalo.
They say it's to feed the workers.
But why so many?
Mike looks at Cloud Dancing.
Because they know when the buffalo are gone, the Cheyenne people
We HOLD on Mike.
END OF TEASER
INT. CLINIC - DAY 2
Mike is about to lance a blister on Horace's telegraph finger. He
Don't look. It'll be over in a second.
As she lances the blister, washes it, and bandages it.
This usually only happens around the holidays, but I been sending
a lot of telegrams back east for that railroad fella. They're out
there right now, surveying the street.
They're talking about bringing the railroad right through town.
EXT STREET - DAY
A crowd gawks at a crew of two surveyors, who are sighting a transom.
With the surveyors, is a man in a three piece suit, THADDEUS BIRCH.
Seeing Mike and Horace, he gives them a wave and goes right to them.
EXT. CLINIC - DAY
BIRCH: (to Horace)
Mr. Bing, who is this lovely lady?
I'm Dr. Quinn.
Yep, she runs the clinic.
BIRCH (hands Mike a card)
Thaddeus Birch, Attorney at Law. (Confidentially). I had a lady
doctor take out my lumbago in St. Louis.
Took it right out, did she?
You bet, but she wasn't as pretty as you.
Mike sees right through this guy.
So, you own this building?
Yes, sir, I do.
Well, madam, I have some very good news for you. You know the Continental
Republic Railroad? Well, they're bringing the tracks right through
the center of town.
Really? Right here?
Before you can say Jack Robinson, this little town is going to be
bigger than Denver!
Well, whata ya' know!
And to make that dream come true, I'm here to purchase all the land
parcels in town. At a very handsome price.
This is excitin'!
Let me understand, Mr. Birch. The railroad is coming right through
the center of town?
You betcha. Depot will be right where the saloon is, loading chutes
for the stockyards right there, (points to clinic), warehouse and
a two story hotel right there ... (points at Loren's store) complete
with a genuine crystal chandelier shipped all the way from London.
That's in England, you know.
So I've heard.
Yes, ma'am, there's some big changes coming. Lot of money to be
made. This is truly your lucky day.
I'm not so sure about that.
EXT. MOUNTAIN RANGES - ESTABLISHING - (STOCK) - DAY 2
We can hear angry voices speaking in Cheyenne.
I am going!
CLOUD DANCING: (O.S.)
You must listen to reason.
EXT. BLACK KETTLE'S CAMP - DAY 2
Black Kettle, Cloud Dancing and Sully are talking with several angry
young Braves. Black Kettle is trying to calm them down. Some women
and children stand nearby, listening.
You must not leave the reservation.
Are we to do nothing, then?
BLACK KETTLE (in Cheyenne)
It will bring great sorrow on our people if we make war now.
BRAVE: (to Black Kettle)
I will not let my people starve!
The Brave walks away. The other Braves watch him go, talk among
themselves. A weary Black Kettle turns to Sully.
BLACK KETTLE: (in Cheyenne)
Talk with this white man who kills the buffalo. Help me brother,
help me keep the peace.
Sully nods, Black Kettle walks away. The other braves drift off
into the camp.
I have never heard Iron Knife talk to Black Kettle that way.
His only child died of hunger last winter.
I'll ride out and have a word with the man the railroad hired.
I will come with you.
Don't think that's a good idea.
Buffalo might not be the only thing he likes to kill.
They look up to see the young Brave riding out of the camp on his
Indian pony. He's carrying a lance.
I will ask for the ghost buffalo to protect you as he protects the
herd and my people.
INT. LOREN'S STORE - DAY 2
Loren is at the counter, scooping flour from a large sack into smaller
sacks. Birch stands next to him. Other shoppers in the b.g.
I believe it's a fair offer, Mr. Bray. You just say the word and
I'll write you a check.
Birch hands him a contract. Loren wipes the flour from his hands,
reads the comment.
It's a fair offer, but ...
But you'd like it better if I went up another five hundred. All
right, done, sir. You drive a hard bargain, Mr. Bray.
Birch takes the paper from Loren, crosses to Loren's desk, takes
a pen, dips it in the ink well, increases the figure on the contract
He holds out the contract to Loren.
Just sign right there at the bottom. I'll witness it.
Loren takes the pen, is about to sign ...
Mr. Bray, that is more than a fair price ...
It's not the money, Mr. Birch. You see, this store holds more than
just merchandise. (half beat). It's got a lot of memories for me.
(looks around). That desk came all the way from Missouri with me
and Maude. My daughter learned to walk holding on to that counter.
(half beat) I've spent a good part of my life living upstairs, coming
down every morning. I'm older now. Don't know if I could abide the
Change is good, sir, inevitable, in fact. The railroad is coming
and there's nothing you or I can do to stop it, so why not profit
by it? You can built a new store, a bigger store, and bring in even
Loren looks at the contract.
I'd like to sleep on this, if you don't mind?
Not at all, sir, but don't wait too long. All land deals must be
completed in four weeks.
EXT. BUFFALO HUNTER'S CAMP - DAY 2
A huge, obscene mountain of buffalo hides piled in a wagon. Tate
Rankin sits in front of a tent, having a drink. There's a fire going,
and a rough looking skinner tends to a stew pot.
A second buffalo skinner comes from inside the tents, looks out
THEIR POV - INDIAN BRAVE
a hundred yards away, holding his lance and shield. He lets out
a battle cry.
BACK TO SCENE
Hey, boss. Look.
THEIR POV - INDIAN
as he kicks his horse, raises his lance and starts riding hard for
doesn't move, but watches him coming.
the Indian charging, almost on top of them and Rankin, holding his
ground, sipping on his whiskey.
The skinner moves for his rifle, Ranking kicks it away.
Leave that be. He's mine.
The skinner turns back to look at the Indian. He's almost on top
ANGLE - THE INDIAN
screaming his war cry now, lance held high, forty feet from the
ANGLE - RANKIN
who suddenly reaches over, grabs his buffalo rifle, raises it up
and fires, blowing the Indian out of the saddle not more than ten
feet from him.
The horse runs through the camp and away. Rankin puts the gun down,
picks up his whiskey bottle again, takes a drink.
INT. SALOON - DAY 2
Hank is behind the bar, pouring a drink for Birch. Hank delivers
the drink, motions for Myra and another whore to sidle up next to
You see anything you like, it's on the house.
Birch looks longingly at the two whores.
That's very generous of you, sir, but accepting your hospitality
would place my interest in conflict, and I make it a point not to
mix business with pleasure.
Does that mean you don't want us?
BIRCH (to whores)
Sorry, ladies. Some other time.
All right with me.
Myra and the whore move away to other men. Hank frowns at Myra,
crosses back to the bar. Birch slugs down his drink, follows to
the bar, then places a few bills on the bar.
An advance against your commission.
Hank is intrigued, pours him another drink.
I've learned over the years that when the railroad comes to town,
some folks believe that by holding out, sticking together, they
can extract a higher price. I need someone like you ... a smart
businessman, sort of a partner, to convince the reluctant parties
to sell. (half beat) You interested?
Hank pours them both a drink.
You got a deal, mister.
They drink. Hanks shakes his hand, then picks up the money, starts
to count it. We hold on Birch watching him, a smug little smile
on his face.
EXT BUFFALO HUNTER'S CAMP - DAY 2
Sully rides up on an Indian pony. Rankin and the two skinners stand
to meet him.
I'm lookin' for Tate Rankin.
That'd be me.
Sully finds it hard not to look at the piles of skins, the carnage
it represents. He dismounts.
Name's Sully. I come to speak on behalf of Chief Black Kettle of
You some kinda half breed, or somethin'?
What I am doesn't matter. What I come to say does.
I know you've got your job to do for the railroad. But the Cheyenne
Mister, the railroad don't give a damn what the Cheyenne need. And
frankly, neither do I.
All Black Kettle asks is that you leave them enough buffalo to survive
RANKIN: (considers, then)
Well, Mr. Sully, why don't you tell ol' Black Kettle and the rest
of them Cheyenne to eat coyotes. Plenty of them around.
The skinners laugh ... until Sully's look shuts them up.
RANKIN: (beat, then)
I'm just doing my job. Railroad's coming, Mr. Sully, whether you
like it or not. You can't stop progress.
What's progress to some, is death to others.
Then, I guess the Indians will have to go the way of the buffalo.
They won't go without a fight, and they won't wait until the last
buffalo is gone.
You wouldn't be making threats, now would you?
Black Kettle does not want a war, but he may not be able to stop
And which side you gonna be on, Mr. Sully?
SULLY: (half beat)
You keep killing buffalo like you been doing and you'll find out.
Sully turns to get back on his horse. Rankin picks up his buffalo
gun and slams Sully in the back with the rifle butt. Sully does
Rankin kicks him repeatedly. Then ..... Sully is ominously still.
Get rid of him.
The skinners drag Sully away as we hold on Rankin, wiping the blood
from his lips.
EXT. RAVINE - DAY 2
The skinners drag Sully to the top of the ravine. They throw Sully
in. Sully's body rolls down to the bottom.
ANGLE - SULLY'S BODY
as it comes to rest. Camera moves to reveal the beaten body of the
END OF ACT ONE
INT. HOMESTEAD - NIGHT 2
Colleen's at the stove, stirring a pot of soup. Matthew stands nearby,
cutting a loaf of bread, while Mike sets the table. Brian comes
quietly out of Colleen's alcove, concealing something behind him.
He crosses to where his puppy lies next to the fire and begins brushing
it's coat with the lovely silver hair brush that Mike's mother had
given to Colleen. Colleen ladles the soup into the first bowl and
carries it to the table, noticing Brian as she does. She drops the
bowl, crashing and splattering to the floor, as ...
She runs to him and wrenches the brush from him.
She's so furious, she socks him in the arm, and he starts to cry.
Mike and Matthew are right behind her.
It's my hairbrush grandma gave me!
Hitting is not allowed!
But he was usin' it on his wolf!
MATTHEW: (to Brian)
BRIAN: (still sniffling)
Sully said to brush him.
It's a people brush, not a wolf brush!
MIKE: (to Brian)
Colleen's right. (to Colleen) But we have a family rule against
hitting ... now both of you apologize this minute.
They glare at each other, but are saved by a thudding at the door.
Mike gives them a "we'll finish this later" look, as Matthew
opens the door. All react to Cloud Dancing standing there holding
the battered, unconscious Sully in his arms. Mike quickly ushers
him in, and Cloud Dancing places Sully on the bed as gently as possible.
Wolf comes inside, settles at the foot of the bed. Mike stands over
Sully, frightened by his deathly appearance.
Dear God ...
... but then she reaches to feel his pulse. By her look to the worried
children they at least know that there is one.
MIKE: (continuing to Cloud Dancing)
Black Kettle sent Sully to ask the white hunter to spare enough
buffalo for our people. (re: Sully) This was his answer. (beat)
When he did not return, I went to look for him. When I found him
he spoke your name.
Mike looks from the bloodied Sully across the bed at Cloud Dancing.
A beat, as they look at one another, an acknowledgement of their
respective skills. They'll work together to save Sully.
Matthew ... my medical bag. (to Cloud Dancing) I will need your
On her look.
INT. HOMESTEAD - DAY 3
They've been up all night, though Brian has finally fallen asleep
on the rug by the fire with his wolf. Matthew and Colleen sit at
the table watching, as Mike tends to Sully's swollen face, changing
a bloody bandage, one of many covering his visible wounds. Cloud
Dancing kneels on the opposite side of the bed, chanting quietly,
passing a smoking piece of cypress up and down the length of Sully's
The question mark hangs in the air. Cloud Dancing stops chanting.
I can only see what's on the outside at this point. I have no idea
what damage is inside.
She looks across at Cloud Dancing with her own question mark.
The spirits say it is bad.
MIKE: (a beat)
He will live.
This gives comfort to the children, but Mike senses the foreboding
in Cloud Dancing's voice.
EXT. HOMESTEAD - DAY 4
Mike is taking down dried bandage strips from the clothesline. (NOTE:
Colleen and Brian in scene if schedule allows).
Suddenly Matthew bursts out the front door.
He's waking up!
INT. HOMESTEAD - DAY 4
..... inside where Cloud Dancing stands over the bed. Sully's swollen
eyes struggle to open enough to see, let alone focus, and when he
tries to speak, his voice is a mere rasp.
Cloud Dancing brought you. He found you at Rankin's camp.
SULLY: (remembering, painfully)
Sully, listen to me. Now that you're awake, it's very important
that I examine you. To check for internal injury. He manages a nod.
She pulls back the quilt, revealing him covered by only a sheet,
underneath which he's naked. Sully's aware of his nudity. Matthew
I undressed you.
Sully's relieved, nods.
She presses on his side. He winces. Then the other. He cries out
As gently as possible, she manipulates both arms, hitting on one
spot that elicits a pained grunt. Mike proceeds with the examination,
very careful to move the sheet discreetly, lowering it to Sully's
waist. She begins to probe his chest as gently as possible. Big
ugly bruises all over. Sully moans. Everything hurts.
I know you're in terrible pain, but, please, try to distinguish
for me the differing degrees. It's important.
He nods. She probes some more. He winces. She presses on his rib
cage. He cries out involuntarily. She presses the other side; this
time he grits his teeth against the same pain. She slips the sheet
back up, then carefully exposes one leg. She begins to examine them
as she did his arms but elicits no expression of pain from him.
She glances up at Cloud Dancing, then reaches for her medical bag.
She takes out an instrument shaped like a wheel at one end, with
small prongs on it. She runs the instrument down the side of Sully's
leg. He says nothing. She tries the other leg. Still nothing. He
can see what she's doing, and it hits him with a wave of panic.
My legs. I can't feel them (trying). I can't move them!
She runs the instrument across the soles of his feet.
The kids look devastated, as Sully looks from Mike to Cloud Dancing,
What's goin' on?
Some sort of paralysis. I don't know exactly yet.
The problem may just be temporary.
What do you mean?
Well ... it could be an accumulation of fluid pressing on your spinal
column ... but with time the swelling will go down and the feeling
will come back.
I don't know.
She looks across at Cloud Dancing, appealing.
There is a root. When dried and made into a tea ...
I have heard of such a cure.
But you never saw it yourself?
Without answering, he heads for the door.
I will search for this root.
He leaves. They all watch the door close behind him. Mike fights
back her emotions.
I'll get something for the pain.
She quickly retreats to her ...
INT. OFFICE ALCOVE - DAY 4
... where she fumbles with a bottle of laudanum powder, as the tears
well and roll down her cheeks.
EXT BARBER SHOP - DAY 5
Birch exits the barber shop, broomed off by Jake.
I'll bring the papers by tomorrow. You just have that deed ready,
and I'll give you the cash down payment. Ten percent of the total
Jake helps him on with his coat.
When do I get the rest of it?
Could be a few weeks, can't say for certain, but I know this ...
the day you look out there and see that old smokestack on the horizon,
hear the whistle blowing ... you'll be a wealthy man. What do I
That's all right, Mr. Birch. It's on me.
You know, Jake, I like your style ...
Birch looks about, then leans in confidentially.
That's why I'm gonna do you a favor. I'm gonna give you an opportunity
to make even more money.
In word, Jake. And the word is stock. As in certificate. (Jake smiles).
How'ed you like to own a piece of that railroad?
I don't have that kind of money.
Don't need it. Instead of the cash down payment, you take a stock
interest in the railroad. For every dollar due you on the down payment,
you get not one, but five shares of preferred stock.
For every dollar.
And know what's gonna happen to the value of that stock the day
they drive that last spike?
JAKE: (beat, then)
You got yourself a deal, Mr. Birch.
You're a smart man, Jake ...
Birch sees Mike exit Loren's store with some supplies, followed
by Hank and Loren.
Keep this to yourself, all right? Excuse me.
Jake nods. Birch heads off the porch towards Mike.
Doc? Wait up.
Birch joins them to overhear.
Why you gotta be so stubborn?
How can you sell to this man after what they did to Sully?
MIKE: (to Birch)
A friend of mine. A buffalo hunter named Tate Rankin, hired by your
railroad, nearly killed him.
Sully shouldn't been sticking his nose where it don't belong.
Mike starts to walk. Birch follows.
Doc, wait up. I assure you, I have nothing to do with this.
Then you don't work for the railroad?
Well, in a manner of speaking, but ...
Then I want you to get that man arrested and put in jail for what
Doc, you can't blame me for ...
Then who do I blame if Sully can't ever walk again?
Mike turns and goes to the clinic. We hold on Birch.
INT. HOMESTEAD - DAY 8
Colleen takes a bowl of soup to Sully, who sits, propped up in bed,
his arm and chest bandaged, his face less swollen but badly bruised.
His mood is dark. Wolf and puppy rest on the floor.
Dr. Mike says you gotta eat.
Brian brings him a cookie instead.
BRIAN: (to Sully)
How bout a cookie?
Brian, he needs somethin' nourishin'.
BRIAN: (to Sully)
You can have it, if you eat all your soup.
This gets a slight smile from Sully. He takes the soup and uses
his good arm to eat some of it.
Brian sits at the foot of the bed.
Sully, tell me a story.
Brian, let him finish eating.
Sully thinks a moment, realizing it will take his mind of things,
then nods, knowing what story he'll tell. There's an undertone of
his own emotions regarding the subject matter that escapes the children,
but not us.
It's the story of the white buffalo.
Colleen sits on the other end of the bed.
A white buffalo?
There's no such thing!
Yep, there is. But only one in a million. The Cheyenne believe the
white buffalo guard the herd.
You ever seen one?
SULLY: (shakes his head)
The Cheyenne call him Running Ghost.
Running Ghost? Is he a real ghost?
Cloud Dancing says if you see him, then he's real.
The kids contemplate this for a moment, as Sully has a few more
bites of soup, when Mike and Matthew enter through the side door,
Brian jumps off the bed and runs to her. She gives him a quick hug,
noticing the cookie in hand.
Cookies before supper?
Naw, it's for Sully.
She looks over at Sully, feigning cheerfulness.
and how is the patient doing?
His mood shifts to dark again. He looks away, sets the soup bowl
down. Colleen shrugs her shoulders to Mike.
Children, may I talk to Sully, alone, please?
The kids exchange looks, then exit. Mike goes over to the bed.
Sully ... I know you're upset, and no one can blame you, but these
injuries take time.
A beat, then he looks at her ... into her.
Tell me the truth ... will I heal?
I don't know.
What are the odds?
I have no idea.
He hits the bed with his "good" arm.
Now, wait a minute. You could start to heal in a matter of days.
Or weeks ....
Or not at all?
... it could even take months. But there are things we can do to
speed the process.
With that Mike pulls the covers aside to reveal Sully's legs.
What're you doin'?
We need to keep your legs healthy, in case your spinal chord is
She starts bending one of his legs at the knee, in and out.
You're wastin' your time. I can't feel anything.
That's not the point. We need to keep the muscles strong ...
She puts his leg down and starts massaging it.
... stimulates the blood circulation.
He may not be able to feel it, but he can see her hands running
up and down his legs. There's a sensual rhythm to it. Mike can't
help but feel it, too. She glances up at him, and their eyes lock.
Suddenly, he uses his upper body strength to roll to his side, away
from her, even though it hurts his rib cage.
I just wanna be by myself right now.
Mike nods, ashamed that she's relieved to get away from him, as
well. She stands, starts to go.
And don't be feelin' sorry for me. She stops and faces him.
I'll make you a deal. I won't feel sorry for you, as long as you
don't feel sorry for yourself.
ON SULLY'S REACTION:
as she turns and goes outside ...
EXT. HOMESTEAD - DAY 8
... where the kids are glumly hanging around out front.
Ma, is Sully gonna get well?
A beat, as Mike takes a deep breath of determination.
Let's ask ourselves a different question ... what are we going to
do to help Sully get well?
Off their looks ...
EXT. HOMESTEAD - DAY
Mike is getting some water from the barrel when she sees Cloud Dancing
appear from behind the barn. He carries a small bag of roots.
How is my brother?
Better, but still no feeling in his legs.
Grind these and make a salve. Wash his legs with hot water, then
rub it on him.
May I see him?
MIKE: (half beat)
I'll tell him you're here, but he doesn't want any company right
Do not bother him. Tell him I will return when it is safe.
The soldiers are coming to keep my people on the reservation. Two
more Cheyenne have been killed by this Rankin. There is much talk
Can't Black Kettle stop it?
I do not know.
Cloud Dancing nods, then disappears. We hold on Mike.
EXT. POND - DAY 11
All right, let's get you in the water.
Matthew and Mike lift Sully up, set him down in the water. Mike
wades in with them, helps support his body.
MIKE: (to Sully)
What I want you to do is, move your arms through the water. We'll
move your legs.
Don't worry Sully ... we got you.
Sully looks at Brian, then the others gathered around him. He starts
to move his arms as instructed, and the group begins to move about
the pond as one.
INT. HOMESTEAD - DAY 16
Sully lies in bed, on top of the covers, with Mike, the Reverend,
and the kids gathered around him. Sully now wears a shirt and a
pair of pants. A short, wooden pole, with a rope tied around its
middle, hangs from the ceiling beam over the bed.
Go on, Sully.
Sully takes hold of the pole with his good arm and manages to lift
himself a few inches from the bed. Brian's counting.
An inch better'n yesterday!
And a whole lot better than two weeks ago.
Sully lowers himself back down.
One more Sully, for the Lord.
Sully gives him a look, pulls himself up again, drops back.
INT HOMESTEAD - NIGHT 18
Colleen and Brian play checkers at the table, while Matthew gives
Sully's legs a good rubdown.
Mike works at her desk in her office alcove beyond. She tries to
concentrate, but finds her gaze drifting toward the bed, watching
Matthew massage Sully. She forces herself back to her work, but
again she finds herself looking over, her eyes drifting the length
of his leg, from thigh to knee to calf to ...
she jumps up from her desk, startling everyone.
She runs to the foot of the bed. So do the kids.
Your toes! They moved!
They all stare at his feet. Nothing happens.
MIKE: (to Sully)
He does. As hard as he can ...
CLOSE ON SULLY'S FEET
His toes move
They sure did.
Matthew leans down and grabs Sully's good arm exuberantly, as Brian
and Colleen hug him around the neck. Sully looks over their heads
at Mike. They share a look that goes beyond touching ...
You're gonna be walking again before you know it.
That's good, cause I have things to do.
And then Sully turns away and he looks at his tomahawk and his eyes
fill with revenge. We hold on him as we ...
END OF ACT TWO
INT. HOMESTEAD - DAY 22
Sully is seated on the side of the bed, his legs on the floor. Mike
and Matthew stand on either side of him.
Now, we must go very slowly.
Sully nods. He grabs onto their arms, and pulls himself up to a
standing position. Mike hands him a crutch.
If you start to get dizzy, I want you to tell me.
Sully, holding onto Mike and Matthew, using the crutch, takes some
Are you alright?
They walk a little further, then stop.
Do you want to rest?
No ... I wanna try it on my own.
You're not ready for that.
Yes, I am.
He pulls free of them, but they stay near his side. Sully attempts
a few tentative stops alone. But then ... his legs cave in. Mike
and Matthew grab him to keep him from falling. He regains his balance.
I wasn't gonna fall.
Mike and Matthew look at each other.
Of course not.
Mike and Matthew steer him back to the bed, where he thankfully
sits back down.
EXT. COLORADO SPRINGS - ESTABLISHING - DAY 22
EXT. LIVERY - DAY 22
Grace watches as Robert E takes payment from a horse soldier, watches
as he mounts up, joining four horse soldiers. They ride out of town.
Hank walks over from Jake's store.
Bet you're glad to see them soldiers back her for a while.
Ain't glad to see another Indian war start up.
Now, what's this I hear from Mr. Birch bout you two not selling?
Robert E walks back to his forge, pulls out some iron, checks the
color, sticks it back in the coals.
Well you both better think hard, cause you only got one more week
to make up your mind!
We're not against the railroad coming through. We think it's a good
Then why ain't you selling?
Mr. Birch offered me what he said was a fair price for a negro.
I just want a fair price, same as you or Jake or Loren.
When Mr. Birch comes to my cafe, he doesn't pay any less for my
cooking, why should he pay less for his land?
Well, if you want my advice, you better take what you can get, cause
the railroad's coming, and anybody stands in its way gonna get run
Don't be getting so riled up, Hank.
You ain't seen me riled up like I'm gonna be if you don't sell!
You know when you get hot, you're like this piece of iron, you get
Robert E takes the iron out, slams it on an anvil, strikes it with
his hammer. Sparks fly.
You bend real easy, and you break just like that.
He lays the iron on the cutting edge of an anvil, slams the hammer
into it, and the piece nips off, drops into a bucket of water. It
hisses and a steam cloud rises up in front of Hank. Hank frowns,
throws up his hands, storms off. We hold on Robert E and Grace.
INT. HOMESTEAD - NIGHT 23
Mike is at the fireplace, stoking the fire. Matthew, Colleen and
Brian are putting away the dinner dishes. Sully, walking slowly,
starts for the door.
Where do you think you're going?
Get some firewood.
I'll get it. Why don't you sit down.
I can manage.
I'm afraid your doctor doesn't think so. Not yet.
Mike leads a frustrated Sully to a chair. He sits.
I'll get the firewood, Sully.
He goes out. Brian goes to sit next to Sully.
Boy, are we lucky ... nobody else has a doctor for a ma.
Sully shoots a look at Mike. She smiles, managing to get a smile
out of him.
SULLY: (to Brian)
You're lucky, all right.
Sully, you never did finish the story bout Running Ghost.
It's a white buffalo. One in a million. Right Sully?
A beat, but then ...
Colleen comes over and sits down too. Matthew comes in with an armload
of firewood, stokes the fire.
INTERCUT the kids, as they listen ...
It was back in the Winter of 60. Cloud Dancing was hunting out near
Cedar Lake. He heard the sound of crackin' ice. He climbed a ridge
to look. A herd of buffalo - musta been a couple of hundred of em
- were tryin' to cross the lake. But the ice started to give way.
He watched, waitin' for the worst to happen.
BRIAN: (in a whisper)
It was then he saw the most frightenin' sight. There appeared before
him a giant, white buffalo ... as white as the snow. The herd saw
him, too. They stopped in their tracks. And for some reason, they
turned and went back. Then, the white buffalo ...
Runnin' Ghost, turned and Cloud Dancing saw his eyes were bright,
glowing red. Burning like a hot coal in the fire. That ghost buffalo
looked right at him and Cloud Dancing said it was like the buffalo
could see into his spirit.
Then, the white buffalo turned and disappeared into the trees.
The kids sit motionless, holding onto the moment ... as Mike watches
lovingly from the fireplace.
EXT COLORADO SPRINGS - MAIN STREET - DAY 24
Tate Rankin rides slowly into town. He passes two men from the survey
team, regards them with curiosity.
EXT. SALOON - DAY 24
Rankin ties up his horse. Birch comes out of the saloon, clapping
a couple of converts on the back.
Rankin observes as ...
Congratulations Gentlemen, you won't regret this day. You just made
yourself a fortune.
The men walk away. Birch starts to cross the street. Rankin suddenly
steps in front of him.
What are you doing here?
Birch is very uncomfortable.
Mr. Rankin ...
I thought you gave this up after they ran you out of Salinas.
No ... I'm still in the same business.
Still using the same name?
I, uh, go by Thaddeus Birch, now.
RANKIN: (smiles) Thaddeus? Well, I won't say nothing Thaddeus if
you cut me in.
Ah, yes, I was just about to suggest it.
Why don't we have a drink on it. You buy.
Rankin puts his hand on Birch's shoulder, guides him towards the
saloon as we ...
Nice doing business with you.
EXT. HOMESTEAD - DAY 24
Sully struggles to walk, using his crutch, holding on the side of
the barn. He turns, starts back in the other direction. He's sweating
from the strain. We hold on him, driven by rage, determined to get
EXT HOMESTEAD - DAY 27
Matthew watches as Sully throws his tomahawk and it bounces off
the barn. Frustrated, he walks over, picks up the axe. He moves
slowly, still in pain. He walks back away from the tree. There's
a great anger in his eyes. He stops about ten feet away, turns,
lets out a yell and throws the tomahawk again. This time it sticks.
Matthew and Sully exchange a look.
We hold on him.
EXT. STREET - DAY 27
Rankin and Birch walk by the clinic.
in front of her clinic, saying goodbye to a client. She spots them.
as Mike crosses to Birch and Rankin.
Can we talk? I need some information.
I just need the name of the railroad president.
I'm very busy.
His name's Eli Stowe. Lives in Chicago. (off her look). Thaddeus,
where are your manners? Ain't you gonna introduce me to this pretty
I'm Doctor Quinn.
A beat. A look comes over Mike.
You're the man who almost killed Sully.
He came to talk to you. Unarmed, and you nearly beat and kicked
him to death.
He ain't dead?
No, and it's a miracle he isn't.
Well, I was only defending myself.
Why don't we let a judge and jury decide that.
What are you talking about? It was a fair fight.
You are a liar.
Don't be calling me a liar to my face. I'll forget you're a lady.
MIKE: (half beat)
You are a liar, and I am going to see to it that you are arrested
and tried for attempted murder.
Mike turns and walks away.
Why don't you ask around. See where I can find this Sully fella.
I'd like to finish what I started.
On Birch's look.
EXT. BARN - DAY 27
Matthew leads his horse out of the barn as Sully comes out of the
house, followed by Mike. Wolf waits for him.
It's too early for you to be riding.
I can't stay here anymore.
How do you know he'll come after you?
Because you told him I was still alive.
I'm so sorry.
Don't worry, he'd a found out sooner or later.
Sully takes the reins, painfully pulls himself up into the saddle.
There was a man watching the house this morning. Buffalo skinner.
He rode off when he saw me.
Only one way to end this.
If you think you're in any condition to take on Rankin ...
The Cheyenne are about to start a war. The Army is keeping them
on the reservations. Rankin goes, the Army goes with him. No war.
Nobody gets hurt.
but they'll just send hunters. What will you do? Kill them all?
Thank you for taking care of me.
Sully, don't do this.
I've got to. (to Matthew). Take care of Wolf til I get back.
Sully starts off. Mike grabs his reins.
If you kill Rankin then you're no better than he is. And if that's
what you have in mind, then I don't know who you are anymore. I've
never seen you like this ... and if you kill him, I never want to
see you again. Never!
Sully looks at her for a beat, then turns the horse and rides off.
Matthew puts his arm around Mike, who fights tears. We hold on them
as we ...
END OF ACT THREE
EXT. TELEGRAPH OFFICE - DAY 28
Mike rides past the telegraph office on her way to the clinic. Horace
is sweeping the porch. He sees her.
Mike stops. Horace moves to her. She dismounts.
I sent that telegram to the Marshall's office in Denver for you.
(half beat). I hope they do something to that man beat up Sully.
I do too.
You ain't mad at me are you?
Everybody has to make up their own mind Horace. If you want to sell,
that's your business.
Didn't have much choice. Hank said he'd give Myra's contract to
a fellow in San Francisco if I didn't make a deal.
Then you did what you had to do.
Dr. Mike, you know anything about stock certificates?
MIKE: (she stops)
What do you want to know?
Well, I'm not supposed to tell anyone, but Mr. Birch offered me
some stock in the Continental railroad instead of money for the
down payment ...
That's not unusual.
Nope, but the stock's got a different railroad name on it.
Horace pulls out a certificate from his vest pocket, shows it to
Horace, I think I'd like to send a telegram.
On his look.
INT. SALOON - DAY 28
Mike enters holding a telegram with Horace, Jake, Loren and Robert
E to find Birch seated at a table. He's going over his paperwork,
checking the deeds.
Well, Dr. Quinn, your three weeks are up, have you changed your
mind? Ready to make a deal?
Birch gets up, pulls out a chair for her. Mike sits down.
I've never been against a railroad coming to town, Mr. Birch. I'd
welcome the chance to get medical supplies on a regular basis. And
as soon as Mr. Rankin is brought to justice, I'll be happy to negotiate
Music to my ears, Doctor.
But I won't sell to you.
I'll sell to the railroad when it gets here, which according to
the board of directors might not be for another six months.
There's a reaction from the saloon.
MIKE: (to everyone)
Mr. Birch doesn't work for the railroad. He works for himself. He
buys up all the property, or a controlling interest, then sells
it for a profit to the railroad.
What about the stock he gave us?
You got some too?
We all got it. Just like I suspect, we all got taken.
Not true. You'll receive a fair price when the land sells.
But not as much as we'd make selling to the railroad ourselves.
Birch stands up.
You tricked us. I want my deed back.
I'm sorry, but this was done fair and square. Nothing illegal about
Hank grabs Birch by the collar.
Loren, you got any tar left?
Yep. Got some feathers, too.
Are you threatening me?
I'm not a lawyer, Mr. Birch, but I know one who works for the railroad
you pretended to represent and I'm sure he would be happy to prosecute
you for fraud.
Enough said, Doctor. I'll return the deeds.
Birch picks up the papers, hands them to Mike. He turns to Hank.
BIRCH: (to Hank)
Uh, about the money ...
BIRCH (beat; then)
You're going to make a lot of it. Good day.
EXT. HOMESTEAD - DAY 28
Mike stands on the porch, looking out, pensive. She struggles to
reach a decision then does and heads for the barn.
EXT. BLACK KETTLE'S CAMP - DAY 28
Mike rides into camp. Cloud Dancing and Black Kettle are there.
Sully is going after Rankin. You've got to help me find him and
Cloud Dancing says something in Cheyenne to Black Kettle who shakes
We cannot do that.
Why? He's barely strong enough to walk ... he's going to get himself
killed this time.
This has become Sully's fight now. We cannot interfere.
If he doesn't get killed, he'll be arrested for murder. Why won't
you help save him?
Since the Army has come we cannot leave the reservation. If we do
we will start a war.
BLACK KETTLE: (in Cheyenne)
Tell her we will help in the ways that we can.
Black Kettle says we will do all we can to save him.
Then so will I.
You must find him. You are the only person he will listen to.
Mike spurs her horse, rides off.
EXT. WOODED AREA - DAY 28
Sully rides, looking to the horizon, following a trail to Rankin.
EXT. BLACK KETTLE'S CAMP - DAY 28
Cloud Dancing, Black Kettle, other Cheyenne conduct a ceremony to
summon the white buffalo.
Cloud Dancing holds a shield with the buffalo drawn on it.
They make offerings, drum, sing songs, imploring the spirit to help
EXT. WOODS - DAY 28
Mike rides her horse looking for Sully.
EXT. PLAINS - DAY
Sully rides along on his horse, passing the carcasses of fallen
EXT. BUFFALO HUNTER'S CAMP - DAY 28
One of Rankin's skinners throws buffalo hides onto a pile.
sneaks up behind the man. The man hears him and turns around, but
it's too late. Sully punches the man, sending him face down in the
Just then, the second skinner enters the area, carrying hides. He
sees Sully, drops the skins and goes for his gun. But, before he
can draw, Sully drops him with a powerful blow.
EXT. BUFFALO PLAINS - NEAR BUFFALO HUNTER'S CAMP - DAY 28
Rankin sits on his horse. He fires a shot, reloads. A few dead buffalo
near him. Then he hears Sully's war cry. He looks up to see
riding towards him, tomahawk ready.
climbs down off his horse, pulls out his rifle, takes aim at Sully.
closes one eye, draws a bead. His finger tightens on the trigger
and then ... he loses focus, disturbed by what he sees.
RANKIN'S POV - WHITE BUFFALO
charging for us. As it dissolves before us, changing into the image
of Sully riding toward camera, full speed, tomahawk out, giving
a war cry as he bears down on Rankin.
BACK TO SCENE
as Rankin shakes it off, raises his rifle to fire at Sully.
ANGLE - SULLY
who keeps on coming.
ANGLE - RANKIN
who frantically reloads to get off another shot.
ANGLE - SULLY
coming closer, riding right for us.
ANGLE - RANKIN
as he shoves the cartridge in, cocks, raises the rifle.
and Sully is on top of him, swinging hard as he rides by, catching
Rankin as he fires, blocking the tomahawk meant for his skull with
the barrel of the rifle. The force of Sully's blow sends Rankin
back of his horse.
hits the ground hard.
turns his horse, comes back for the kill.
to include Sully, as he rides straight for Rankin. Hearing Sully,
the buffalo hunter turns. But before he can react, Sully leaps from
his horse, diving onto him. The two men hit the ground.
Rankin breaks away, pulls his knife. The two men warily circle each
This time I will kill you.
Make your move.
Rankin flips his knife over, waiting for a moment ... then he throws
it at Sully. Sully jumps out of the way of the knife. Rankin sees
he's off balance and rushes him and they go down again.
Rankin gets in a few quick punches from above. Sully arches and
flips him over.
Rankin goes for the knife, grabs it, but Sully is on top of him.
He slugs Rankin and pulls the knife from his hand. Sully grabs Rankin's
hair and raises the tomahawk for the kill. Sully slams the tomahawk
down at his face. He sticks the blade into the dirt by his ear,
slicing part of it. Sully lifts the tomahawk, places the blade edge
on Rankin's face.
Be gone by morning. Take nothing with you.
Sully gets to his feet.
If I ever see you again, I will kill you.
as Sully makes his way to his pony, pulls himself onto it. He starts
to ride out.
ANGLE - RANKIN
who pulls himself to his feet, wipes the blood from his ear, looks
about, grabs his rifle. He loads it, moves out of the camp, running
ANGLE - SULLY
riding away, his back to Rankin.
ANGLE - RANKIN
as he raises the rifle, about to shoot. He hears something behind
him. He turns.
RANKIN'S POV - BUFFALO HERD (STOCK)
as it starts running towards him.
paralysed, unable to move.
ON THE WHITE BUFFALO (STOCK FOOTAGE)
thundering towards camera.
CLOSE ON RANKIN
unable to get out of the way, he screams.
INSERT - BUFFALO HEAD
as it knocks Rankin down.
ANGLE ON SULLY
turning around to look.
on the ground.
ANGLE - SULLY
he turns the horse and heads back into town.
EXT. RIDGELINE - DAY
Mike rides along the ridgeline, looking, then stops. She sees
barely hanging on.
As Mike rides to him, stops beside him. She jumps off, catches him.
She lets him down. There's a long beat of silence.
Tell me you didn't kill him.
Sully looks at her, shakes his head.
Tears fill his eyes. Mike says nothing, but holds him.
LONG SHOT - HILL SIDE
of the two figures silhouetted against the sky.