A PLACE CALLED HOME
Written by Julie Henderson / Directed by Chuck Bowman
EXT. SCHOOL - DAY ONE - NOVEMBER, EIGHTEEN SEVENTY-TWO
The sun shines down on a lunchtime baseball game. BRIAN and ANTHONY
(wearing the cap Robert E gave him) kneel along the third base line
waiting for their turn at bat. (In the b.g. the BATTER swings and
misses at two straight pitches.)
You finish writin' the essay for Parent's Day?
I been workin' on it...
What's yours about?
I ain't quite figured it out yet...
Brian grins at his buddy, convinced he's being secretive.
You wanna win that contest real bad, don't you?
Nah really, I can't decide what to write about -- there're so many
Maybe you oughta just pick one and finish it up.
But it's important -- I want it to be great.
The CRACK of the ball off the Batter's bat draws the boys' attention
back to the game. The easy fly ball is caught and the Batter walks
over to Brian and hands him the bat.
Brian steps to the plate and swings at the first pitch, sending
a slow roller down the third base line just under the THIRD BASEMAN'S
glove. Brian rounds the bases, as the ball continues into left field,
and stops at third base just ahead of the tag.
Anthony stands up a little stiffly and steps into the batter's box.
Brian edges off third base. The PITCHER looks into the plate, considers,
then delivers the pitch. Anthony swings and misses.
The Catcher smiles at Anthony, then stands and tosses the ball back
to the Pitcher. Anthony steps out of the batter's box and looks
down the third base line to Brian.
Anthony nods, the pressure mounting. He steps back into the box,
digs in and stares back at the Pitcher.
The Pitcher nods and delivers a high, hard fast ball to the plate.
THWACK. Anthony smacks a sharp line drive over the SHORTSTOP'S head
and takes off for first base.
Brian races home from third base, crossing the plate to the cheers
of his teammates. He quickly looks to:
running slowly toward the first base bag. As the throw comes in
to the FIRST BASEMAN, Anthony lunges for the bag, but he's tagged
ANGLE ON THE SCHOOLHOUSE PORCH
as TERESA rings the school bell.
Children! It is time to return to class.
RESUME THE FIELD
Anthony stands bent over the bag trying to catch his breath. His
teammates surround him and offer congratulations, before they head
toward the schoolroom. Brian runs over to him:
You really pounded that ball.
Anthony gasps for breath, unable to reply. Brian sees that he's
more out of breath than he should be.
Hey, you alright?
Anthony nods, as he rubs his knees, trying to work out the pain.
Brian gives him a look, not convinced and concerned for his friend.
The boys start to walk toward the school, but Anthony's right leg
gives way beneath him.
You're hurtin'. (not taking no for an answer) I'm takin' you to
Anthony nods, disappointed that his body has once again betrayed
him. Brian helps Anthony to his feet, then shouldering most of his
weight they begin to walk toward the clinic.
INT. RECOVERY ROOM - DAY ONE
Anthony sits up in bed while MIKE palpates his lower back. Anthony
winces when she percusses the area above his kidneys.
GRACE and ROBERT E look on from the other side of the bed -- contending
with Anthony's attacks has now almost become routine. Brian is there,
Mike looks up, trying to hide her distress. She takes a glass of
water and laudanum powder from the nightstand tray and mixes a solution.
She hands Anthony the glass. He drinks it.
This should ease the pain.
Grace sits beside Anthony and takes his hand.
It's just another one of your attacks. You rest awhile, then me
and your Pa'll take you home.
Anthony nods, relaxing. Mike smiles at him and smoothes his brow.
I'll be right back.
She leads Grace and Robert E out of the room --
INT. CLINIC HALLWAY - CONTINTUOUS - DAY ONE
Mike, Grace and Robert E come out of the Recovery Room. Grace and
Robert E start to head downstairs:
I'm gonna bring Anthony some of my tomato soup. He always likes
that when he's feelin' poorly.
Please, Grace, wait a moment.
Grace and Robert E turn to Mike. She shifts uncomfortably, this
is difficult news.
Anthony's condition... this last attack, the fever... I believe
it may have damaged his kidneys.
What's wrong with his kidneys?
They're enlarged and painful to the touch.
That's never happened before.
No, it hasn't...
So is somethin' else wrong with him?
I'm afraid that whatever causes Anthony's condition may now be affecting
Robert E takes in the news with concern, but Grace only hears another
symptom that they'll have to adjust to.
We've learned to deal with this sickness as it comes. There's no
predictin' it. But I 'preciate your telling us, Dr. Mike.
Grace holds Mike's look a moment, grateful.
I'll be gettin' him that soup now.
She turns and leaves. Robert E watches her go then turns to Mike,
worried. OFF Mike's apprehension -- Anthony's latest symptom is
definitely a sign of something more serious.
END OF TEASER
INT. HOMESTEAD BARN - NIGHT ONE
Mike brushes down FLASH, trying to forget her troubles in the easy
rhythm of her task. SULLY silently enters (looking like he's been
on the road for a while) and lingers a moment, taking her in, watching
his wife. Then:
Mike turns around at the sound of his voice. She's thrilled to see
him, and rushes to him:
You're back! Thank goodness...
He enfolds her in his arms, and they kiss.
Mike takes in his road-weary condition, and can't help but worry.
Her concern rushes out in a torrent:
Are you alright?
I'm fine --
It's not safe here for you...
I been keepin' my eyes on the soldiers -- I got a few minutes.
She holds him to her -- she can't help being in an emotional turmoil:
so much has happened since she last saw him that she needs to tell
him: Sgt. McKay's wire, the miscarriage...
I can't tell you how good it is to have you home... (releasing him)
How did it go? Were you able to speak with the Indian elders?
I tried, but Black Moon got to 'em first. He's got 'em convinced
that the white man's their enemy.
An' other tribes are joinin' him Apache, Kiowa. He's tellin' 'em
the army plans on killin' every Indian in the territory.
Sully looks at her and sees the concern in her eyes. He pulls her
Hey, it ain't over. We're not givin' up.
Mike nods and smiles thinly, wanting to believe him.
What about you? How're you holdin' up?
I'm fine. But... (this is difficult news) I received an answer from
Sully reads the news in her eyes:
The army turned down our appeal.
She nods, sadly, then glances away, quiet.
Sully sees that she needs reassuring. He takes her hand:
Like I said... we're not givin' up.
Mike nods. She knows that this is the moment to tell him about the
She looks at him, almost ready to tell him -- but her feelings betray
her and she can't. She looks away.
Sully reads that there's something else wrong:
What is it? Somethin' else happen?
Mike struggles with her emotions. She can't tell him:
No -- I've just missed you so much... (drawing herself into his
embrace) Just hold me, Sully...
Sully holds her tight.
OFF Mike, worried about the secret that now lies between them.
EXT. TOWN STREET - DAY TWO
DOROTHY and Mike walk from the store towards the telegraph office,
talking in hushed tones.
Cloud Dancing stayed behind to try and reason with Black Moon again.
Does Sully think Cloud Dancin' can convince him to stop the raids?
Apparently Black Moon seems set against peace with the army -- but
Sully's determined to keep trying to convince him.
How is Sully?
(evasively) He seems alright...
That's not what Dorothy means:
How'd he take the news about the baby?
They stop in front of the alley between the telegraph office and
the clinic. A beat, then:
I couldn't tell him. (before Dorothy can respond) I wanted to, but
I couldn't -- I couldn't add to his burdens.
Dorothy sees that this is an excuse; she understands how difficult
it is for Mike to deal with this:
(gently) You gotta tell him, Michaela -- for both your sakes.
(nods) You're right... I will.
Dorothy takes her hand, squeezes it encouragingly. Mike smiles back
EXT. CAFE - DAY TWO
Robert E sits across from Anthony, who's busy snapping the ends
off a pile of green beans. Anthony stops a moment, rubs the pain
from his fingers. Robert E is watching him carefully, but tries
to be casual:
You just let us know when you're feelin' tired...
He resumes snapping the peas. Grace sits down next to Anthony and
sets a bowl for the beans in front of them. Anthony and Grace work
quietly a moment, before:
What's your favorite thing 'bout Colorado Springs?
Hmmm. That's not an easy question.
I know. Miss Teresa told us to write an essay about our favorite
thing, and then she's gonna pick the best one to read at Parent's
Grace and Robert E share a smile -- they can see he wants to win
Well, you just figure it out one step at a time --
That's right -- what things make you feel good?
I like the fishin'...
That's good --
And the library -- it's got books all the way from Boston...
You could write about what those books mean to you --
And the hot springs, and the newspaper -- not many other places
got those --
You sure got plenty of things to pick from.
That's my problem -- what's my favorite?
Grace and Robert E exchange a look -- they see his problem:
I see what you mean...
Guess that's what makes it special --
Mike approaches them:
Robert E. Grace. (to Anthony) I thought I'd come and see how my
patient's doing. (smiling) How are you feeling, Anthony?
(before Anthony can answer) He's better. That attack passed.
Anthony looks at Grace, surprised. It's not like her to speak for
him. But he can see that it's important to Grace for him to agree:
Yeah, I'm better.
Mike doesn't miss the exchange between mother and son. She looks
to Grace a moment, then back to Anthony.
Well, I'm glad to hear it.
Grace stands up.
C'mon Anthony, let's get these beans on the stove.
Grace takes the bowl over to the stove. Anthony follows. Robert
E looks to Mike.
Dr. Mike, he's tryin' to hide it, but I can tell he's still in pain.
(a beat) It's never lasted this long.
No. It hasn't.
Robert E and Mike trade an uneasy look, then turn to watch Anthony
and Grace working quietly by the stove.
EXT. CAVE - DAY TWO
Sully and Cloud Dancing are looking at a map of Indian Territory.
Many more Apache and Kiowa have come from the east to join Black
Is he gonna attack?
For now he waits and gathers strength.
That buys us some time. If we talk to the Apache and Kiowa ourselves,
maybe we can convince 'em to move north where they can live free.
Cloud Dancing folds the map.
Yes, but we will also need to convince the army to allow them free
You and me ain't exactly welcome guests.
This is true, but we are not the only voice.
Michaela tried. Daniel tried. They wouldn't listen.
Perhaps Dorothy could help.
I believe the Gazette might become a strong voice for peace.
Sully considers his words, sensing that there's more to this connection
than Cloud Dancing's willing to admit.
You should talk to her.
OFF Cloud Dancing, looking forward to that...
INT. SCHOOL - DAY THREE
The children in the class work quietly, writing their Colorado Springs
essays. Anthony, looking a little feverish, writes quickly. Brian
sits beside him proofing his own essay. Teresa walks down the aisle
checking the children's work.
I am pleased to see that your essays are progressing so well. I
will collect them on Friday.
Brian leans over to Anthony and whispers:
Thought you couldn't decide what to write 'bout.
Somethin' my Ma and Pa said gave me an idea.
Brian nods, goes back to his work.
Anthony continues to write quickly, then stops and holds his stomach
as a wave of nausea hits him. He whispers to Brian:
Brian -- I think I'm gonna be sick...
Miss Teresa, Anthony's sick --
Teresa walks over, feels Anthony's forehead.
You do feel a little warm. Perhaps it would be best if you go home.
Anthony nods, rises stiffly.
Brian, will you go with him?
Brian picks up their schoolwork, and follows Anthony to the door.
Teresa watches, concerned...
EXT. ROAD THROUGH THE WOODS - DAY THREE
Dorothy is riding along a road through the woods, when suddenly:
Cloud Dancing steps out from behind a tree up ahead.
Dorothy pulls the reins of her horse, stopping, a rush of emotions
overwhelming her: she's surprised, thrilled to see him...
They lock eyes, as he walks over to her to help her off the horse.
It is good to see you.
He clasps her waist and gently lowers her to the ground.
They stand silently, his hands still on her waist, only inches apart,
and once again feel the pull of their attraction... They look as
if they might kiss, as if they both want to kiss --
But there's something different added to it: a shyness on both their
And on Dorothy's part, a hesitation, her feelings overwhelming her.
Cloud Dancing reads her hesitation, lets his arms drop from her
waist. Dorothy speaks, nervously, about everything except what she
You look... (she wants to say, wonderful, but she says:) well.
Michaela said you were going to -- have you been able to reason
with Black Moon?
Cloud Dancing looks into her eyes. He sees that she needs to keep
this on a non-intimate level, and responds accordingly -- but throughout
this, while they're talking business, they're staying physically
close to each other, talking above their attraction to each other:
He sees the white man as his enemy -- just as the white man sees
Dorothy hears that -- will this dictate their fate?
It doesn't have to be that way...
I hope not. I think -- there is something we can do to help -- something
you can do.
With your newspaper -- you can help your people understand that
we are not their enemy.
I've tried -- I don't know if I can.
You once thought as they do...
That was before... (she means, before them)
If you can write about what changed your mind, the way you did in
your book, they will listen. Their hearts will hear what your heart
Dorothy nods. There is a crack from the woods. Cloud Dancing whips
his head, peering into the woods. Nobody's there. But it's still
dangerous for him to be out in the open, and they I both know it:
I must go.
Dorothy nods. They drink in each other, and again almost kiss. But
Cloud Dancing turns to go.
He turns back.
He nods, and disappears into the woods.
OFF Dorothy, emotions running through her --
EXT. ROBERT E'S PORCH -- DAY THREE
Grace, Robert E and Mike come out of the house.
(matter of fact) Thanks for comin', Dr. Mike. We'll keep him quiet
'til his stomach settles.
A nice little nap'll do him good -- maybe I'll make him some puddin',
that always seems to settle him...
Grace -- I believe Anthony's nausea and fatigue are symptoms that
may be related to his kidneys.
His kidneys... ? You still think there's somethin' wrong with 'em?
So maybe this ain't the same as his attacks before?
Mike reads the confusion and fear in their eyes. This is difficult,
as she searches for the words to explain.
With each attack, the pain and swelling seem to last much longer.
And now, his kidneys are showing clear signs of deterioration.
But what's that mean?
If they stop functioning, it would be very dangerous...
Can you take 'em out? You took out his spleen.
I'm afraid not -- you need your kidneys.
Then what're you sayin'...?
This is the hardest thing she's ever had to say to her friends --
but they deserve the complete truth.
If Anthony's kidneys continue to fail... one can't survive without
They get it: she's saying that he's dying. Robert E looks away,
fighting back tears.
But Grace is still in denial:
(hopefully) Are you sure you're readin' the symptoms right, Dr.
Mike doesn't take offense; she knows the strain Grace is under:
Perhaps we should get another opinion.
INT. ANDREW'S OFFICE - DAY FOUR
ANDREW examines Anthony's eyes for signs of jaundice, as Mike, Grace
and Robert E look on.
Andrew steps back, makes a notation on Anthony's chart. He then
takes Anthony's wrists in his hands, carefully checking them again
for signs of edema.
Andrew looks up and smiles at Anthony.
There. All done.
Anthony nods nervously. Grace and Robert E trade a tense look. Andrew
glances at Mike, who reads his look -- the news isn't good. She
nods slightly, then turns to Anthony:
Anthony, why don't you come outside and sit with me.
Anthony nods and she helps him down from the table. They go outside.
A difficult moment as the others wait for them to leave.
Then Andrew turns to Grace and Robert E:
Grace, Robert E -- I'm afraid I must concur with Michaela's diagnosis.
Anthony's condition is very grave.
OFF Grace and Robert E --
EXT. SPRINGS CHATEAU PORCH - CONTINUOUS - DAY FOUR
How about here?
Mike guides Anthony to a bench and they sit down. Anthony stares
out at the horizon.
I'm sick aren't I?
Anthony turns to Mike, his simple question unsettling her.
Well, yes, you know that -- you've had these attacks for a very
I mean, really sick.
Mike is torn: it's not her place to answer. She puts her arm around
him, drawing him close.
We should wait and hear what Dr. Cook has to say.
INT. ANDREW'S OFFICE - CONTINUOUS - DAY FOUR
Grace has gone silent, inward, summoning a way to deal with this
news. Robert E is grasping at straws, asking Andrew:
Is there anythin' you can do for him?
The cause of this illness is still unknown -- Michaela has done
everything possible to treat his symptoms, but -- he does seem to
be moving into a... less hopeful state. (a beat, then) I'm truly
sorry. I wish I could offer you better news.
Robert E stares back at him, absorbing the words.
A beat, then Grace stands up and walks out of the room. Robert E
shoots a worried look to Andrew, then gets up to follow Grace.
EXT. SPRINGS CHATEAU PORCH - CONTINUOUS - DAY FOUR
Mike and Anthony sit together on the parch. They look up to see
Grace approach, followed by Robert E and Andrew.
What'd the doctor say, Ma?
Grace looks to Mike a moment, then turns and smiles at Anthony,
(with conviction) Dr. Cook says you're gonna be just fine.
Anthony looks to Mike, not sure Grace is telling him the truth.
Mike gives nothing away in her look, and Anthony turns back to Grace.
He smiles and takes her hand.
Now, c'mon, let's go home. I got an order of apple pies to fill
this afternoon, and you're my official taster.
Grace and Anthony head toward the wagon. Mike shoots a questioning
look to Andrew. He grimly shakes his head, no.
Robert E looks to Mike, confused -- what should he do? Mike returns
his look, at a loss. Robert E turns to follow Grace and Anthony.
Mike watches them climb into the wagon, then turns back to Andrew,
deeply troubled by the lie now standing between Grace and Anthony.
As we slowly...
END OF ACT ONE
INT. CAVE - DAY FIVE
Sully turns as Mike steps inside, holding Katie. He is delighted
to see his daughter.
Look who's here...
Katie insisted on joining me.
Well, I'm glad that she did. Hey there, sweet girl...
Sully takes Katie and holds her up in the air, beaming.
How'd you get so big, huh?
Mike smiles, but she's distracted, anxious to tell Sully about her
Sully holds Katie's hands, guiding her as she walks around the cave.
Look at you. Michaela, she's gonna be runnin' pretty soon...
I know, we won't be able to keep up with her. (beat) Sully? I need
to talk to you about something.
He picks Katie up and turns his attention to Mike.
While you were away --
Sully looks at Katie, thrilled.
Did ya hear that? She said Pa.
Mike can't help smiling.
Sully beams at his daughter.
Katie, you said Pa.
Mike watches them, seeing Sully's pride in their child.
(turns to Mike) I'm sorry. What were you sayin'?
You said -- while I was away... ?
Mike decides that her moment is lost -- this is a bad time to tell
him about her miscarriage.
Yes, it's Anthony. He's become very ill.
Sully looks stricken.
How bad is it?
I don't believe he'll recover.
Sully absorbs the terrible news. He holds Katie close.
Nothin' harder than losin' a child.
Mike nods, knowing this all too well...
EXT. CAFE - DAY FIVE
Robert E watches Grace vigorously chop a bunch of carrots. She stays
focused on her task, not acknowledging him.
You're gonna have to talk to me sometime.
(not looking up) I got nothin' to say.
Well, maybe I do.
He reaches out and stops her hands. She looks at him.
Robert E chooses his words carefully, delicately.
Grace... Dr. Mike and Andrew wouldn't lie to us.
Grace remains cool and quiet.
We need to face it now... for Anthony.
Gace takes a deep breath, resolved.
I know what they said -- but they're doctors, Robert E, I'm his
mother. (forcing herself to say the words) An' if Anthony was dyin',
I'd know it... I'd feel it... (putting her hand to her heart) Right
Grace looks at Robert E, pleading for his understanding. At this
moment, he'd give his life to have her conviction.
I wanna believe that --
Then believe it.
She stares at him, greatly determined. After a beat, Robert E nods,
not wanting to dispute her. He walks away.
Grace gets back to work. She falters for a moment, leaning heavily
on the table, then composes herself and resumes chopping.
EXT. GRACE AND ROBERT E'S HOUSE - DAY FIVE
Anthony sits on the porch steps, writing his essay. He stops and
flexes his fingers, rubbing the joints, trying to ease the pain.
Turning back to the essay, he crosses out a few lines, then starts
rides over on his bicycle.
Anthony looks up from his notebook and smiles.
Thought if you were feelin' better, you'd wanna come ridin' with
Anthony sits up, briefly considering the offer, then shakes his
head, thinking better of it.
My legs're still hurtin' me.
You could ride on the handlebars.
I don't think so. I might fall.
Brian nods, not pressing him.
Anthony looks at Brian, troubled, needing to talk.
I think there's somethin' they're not tellin' me.
Well, my ma says I'm gonna be fine but -- I don't know... this time,
the pain's the same, but somethin' inside feels different.
Brian listens, concerned.
Maybe you could ask your ma what's wrong with me?
Brian responds to the sadness and confusion in Anthony's eyes.
Sure, I'll ask her.
Anthony smiles, relieved and grateful.
Brian nods, worried about his friend.
INT. CLINIC - DAY FIVE
Dorothy waits anxiously while Mike reads a draft of her article.
Mike finishes and looks up.
Dorothy exhales, but she's still insecure.
Ya think so?
Yes, it's very well-written.
But I want it to be more than that. I mean, I've gotta make folks
understand what the Indians've been goin' through.
I believe that you've done that, Dorothy. All the information is
presented clearly and fairly. I found your final paragraph especially
Dorothy smiles, reassured.
Thank you, Michaela. Thank you for readin' it.
I look forward to seeing it published in the Gazette.
They trade smiles. Dorothy heads for the door, then hesitates and
turns back. Mike gives her a questioning look.
Is there something more?
I can't help wonderin'... are we just foolin' ourselves?
Mike doesn't follow.
I mean, this one article, Michaela -- will it really make any difference?
Yes, I believe that it will help educate some people, perhaps change
But will there ever come a time when folks'll just accept the Indians?
When we can all live in peace an' be free to -- to see one another
I certainly hope so. And I believe your article is a positive step
in that direction.
Dorothy nods gratefully, but she's still uncertain.
EXT. HOMESTEAD - NIGHT FIVE - ESTABLISHING
INT. HOMESTEAD - NIGHT FIVE
Pensive, Brian dries the dishes, handing them one-by-one to Mike,
who stacks them in the cabinet.
Brian wipes the last dish. Mike puts it away.
Thank you, Brian.
Mike smiles warmly at him, then moves away.
(pauses, turning back) Hmm?
What's wrong with Anthony?
Mike stiffens, unprepared for his direct question and unwavering
stare. She composes herself.
You know that Anthony is very sick.
Yeah. And he seemed real worried when I saw him today. He said somethin'
feels different this time.
(with difficulty) I'm afraid that it is.
Brian stares at her, needing to know more.
Anthony's condition -- is very serious.
Brian swallows, seeing the gravity in Mike's expression.
Ya mean -- he's gonna die?
Mike looks at Brian, wanting to protect him, but knowing his need
for the truth.
I'm sorry, Brian.
Brian shifts back, struck by her answer. He sinks into a chair,
stunned, trying to process the information. Tears well in his eyes
at the thought of losing his best friend.
Mike closer to comfort him.
I'm so sorry.
Brian looks up at her.
Ma he wants to know the truth. You've gotta tell 'im.
(pained) I wish that I could.
Why can't ya?
Grace and Robert E are his parents. It's their place to tell Anthony,
and they don't want me to do it.
But you're his doctor.
I'm also their friend, and I must respect their wishes. (beat) We
Brian understands, but he's still distressed.
What about Anthony's wishes?
Mike reacts, as troubled as Brian. She looks at him, wanting to
offer some reason and consolation as we CUT TO:
EXT. CAVE - DAY SIX
Sully and Mike are eating lunch on a blanket. The mood is somber
Brian's right. It's best for Anthony to know the truth.
I agree. Robert E feels the same way, but Grace sees things differently.
(beat) I can't imagine, Sully, what they must be feeling now.
(nods) They'll get through it, Michaela. Just like you 'n me 've
made it through all the tough times in our lives. They'll get through
Mike nods thoughtfully as Sully embraces her, but when he lifts
her chin to kiss her, she hesitates and draws back.
Sully... I need to tell you something.
Sully sees her seriousness and listens intently.
I had a miscarriage.
He stares at her, caught off-guard.
You were pregnant?
Mike nods sadly.
I lost our baby, Sully.
For a moment, Sully just stares, in shock. Then he shifts closer
and tenderly rubs Mike's back.
I'm feeling well now.
When did it happen?
A few weeks ago, before Founders Day.
Sully looks confused.
Ya didn't tell me?
I know, I should have told you right away, but I wanted to protect
Sully takes this in, feeling great frustration and guilt.
I shoulda been here.
There was nothing you could have done.
I shoulda been here with you, Michaela.
He moves forward and holds her.
You're here now. That's all that matters.
But Sully is distracted, disturbed.
holding Mike, keeping the pain of his loss tightly inside.
snuggled close against Sully's chest, yet feeling the distance between
EXT. CAFE - DAY SIX
Anthony sits at a table, tired and drawn, putting the final touches
on his essay.
Grace heads over. He glances up and smiles at her.
She leans over his shoulder to see his work, but he quickly moves
his arm to hide it.
Don't I get to read it?
Not yet. It's a surprise.
Grace smiles, intrigued.
I've still gotta look it over, check the spellin'...
As Anthony proofreads his essay, Grace admires him thoughtfully.
Anthony? I been thinkin'... how would you like to go to New Orleans?
Anthony brightens, despite his fatigue.
We could visit your Grandma. I know that she'd love to see ya.
When can we go?
Well, we'll have to start watchin' our pennies, but I bet we can
save up enough money to take the train there this summer.
(excited) This summer. Wait till I tell Brian.
Anthony gets up, still weak but with new enthusiasm. He takes his
essay and heads out, favoring one leg, pausing near
who's on her way in.
Dr. Mike, we're goin' to New Orleans this summer.
Mike gives Grace an uneasy glance, then smiles brightly at Anthony.
Won't that be lovely?
Anthony beams and nods, then leaves.
Mike turns to Grace. They share a look.
I know, Dr. Mike. He's dyin'.
Mike moves closer, with compassion:
Then why are you planning a trip to New Orleans?
Because I want the rest of my boy's days to be filled with hope
I want that for Anthony, too, Grace -- but he's feeling weaker every
day. He knows that he's sick. Planning a trip now will only confuse
But didn't ya see 'im just now, smilin' like that?
Grace... he needs to hear the truth from his mother.
(firmly) No. I ain't tellin' that child that he's dyin'.
This quiets Mike.
(resolved) I'm gonna tell 'im whatever it takes to keep that smile
on his face, ev'ry precious day that he's alive.
Grace holds Mike's look, fiercely determined, then she turns and
OFF Mike, silenced by Grace's conviction as we...
END OF ACT TWO
EXT. CAVE - DAY SEVEN
Mike rides up on Flash, her saddlebags filled with food supplies
for Sully. She dismounts, scans the area for him, but doesn't see
No answer. She heads inside the cave.
INT. CAVE - CONTINUOUS - DAY SEVEN
Mike comes in, looks around...
... but Sully's not in here, either. Off Mike, trying not to look
EXT. STREET - DAY SEVEN
Mike and Dorothy walk from the General Store toward the clinic,
Maybe he was with Cloud Dancin', tryin' to talk to some of the Indians.
(unconvinced) Yes... I'm sure that's where he was.
But something's still troubling her, and Dorothy sees it.
What is it, Michaela?
Off Mike's hesitation, Dorothy touches her arm, stopping her.
Did you tell Sully about the baby?
How'd he take it?
(after a beat) He was saddened by it... and concerned for me...
(another beat) But there was something else...
Mike thinks about this a moment, as if trying to figure it out for
I sensed something in him. The way he held me... (beat) It's as
if... something's changed between us...
Michaela, you've both suffered a great loss. Sully'll get through
this... and you will, too. Together.
Mike nods, grateful for this heartfelt encouragement... but still
I only wish I'd told him sooner.
The two continue walking toward the clinic as we:
EXT. LIVERY - NIGHT SEVEN
Robert E works late at the forge, pounding a piece of metal into
shape, striking it over and over. Each blow he strikes is a blow
against the disease now killing his son.
The metal snaps. Robert E stops, looks down at the broken pieces,
then hurls them across the livery. He can't hold the pain inside
any longer and breaks, as the agony of Anthony's impending death
washes over him.
Then, from the darkness, a whispered voice:
Startled, Robert E turns. At first, he sees nothing but shadows.
He steps toward the darkness, suddenly discovering Sully standing
there, out of view of the street.
Robert E hugs him -- two friends together again. He steps back.
It's good to see you.
Good to see you, too.
Sully clasps Robert E's shoulder, his voice consoling, compassionate.
I'm sorry 'bout Anthony.
The sadness returns to Robert E's eyes, his pain too naked and raw
I'm losin' my son, Sully...
Sully, feeling his own pain as well as Robert E's, tries to make
sense of it.
It ain't right. (a beat) Losin' a child before the parents... It's
Robert E shakes his head in frustration.
There's nothin' I can do to stop it.
You can be there with him... (remembering when he wasn't with Mike)...
make sure he ain't alone.
This hits Robert E hard.
That's just it, Sully. Even when I'm with him... I still feel like
he's alone in this. (struggling with his emotions) I mean... we're
there by his side, tryin' to ease his pain. We tell him we love
him, but still...
Robert E falls silent, unable to continue.
It's good that you're tellin' him those things, Robert E... (beat
gently)... but sometimes it's the things we don't tell each other
that keep us apart.
Robert E looks at Sully, the pain of keeping the truth from Anthony
evident in his eyes.
EXT. CREEK - EARLY MORNING - DAY EIGHT
Dorothy sits beside the creek, waiting for Cloud Dancing, deep in
troubled thought. She takes the Gazette, which includes her recent
editorial, out of her saddle bag.
She hears LEAVES RUSTLE and looks up to see Cloud Dancing emerging
from the woods.
Mornin', Cloud Dancin'.
He steps over and sits down beside her, noticing the Gazette in
I finished the editorial. I wrote about the terrible treatment at
the reservation, and how the army's violatin' the Indian treaties.
(holds it out to him) You wanna read it?
Cloud Dancing shakes his head.
Because you have written it, I know it is the truth.
(a beat, moved by this) Thank you.
They sit in silence a moment, watching the sunlight dance off the
water. Dorothy finally turns back to him, trying to find the words
for what's been troubling her:
He turns to face her.
I keep thinkin'... bout that time when you and me... (beat) ...That
time we kissed.
Dorothy looks down at her hands, her nervousness showing. Cloud
Dancing gently tips her face up to his.
(warmly) I too have thought of it often.
Dorothy looks at him, finally admitting:
It frightens me... (off Cloud Dancing's look) I'm just not sure
what to make of it...
Cloud Dancing nods, understanding.
There are many questions.
And no answers.
(after a beat) But there will be.
He gently takes her hand in his. She looks down at their joined
hands, then back up to him, realizing that perhaps they will be
able to discover those answers together.
This realization gives Dorothy hope, renewing her optimism.
EXT. SCHOOL - MORNING - DAY EIGHT
It's early morning, before school. Anthony sits, wrapped in a warm
coat and red scarf, at the picnic table watching the children play
baseball. He looks weak and drawn.
Brian approaches the school, spots Anthony, and hurries over to
(pleasantly surprised) Hey Anthony, you're back!
I wanted to come, and my ma said I could.
Brian sees that Anthony doesn't look well, but tries to offer encouragement.
(a beat) Did you talk to Dr. Mike for me?
Brian has dreaded this question, but won't lie to his friend.
What'd she say?
Brian hesitates, unsure of what to tell him. Finally:
She thinks you should talk to your ma.
Anthony holds Brian's look a moment, sensing the words he hasn't
spoken. Anthony nods. He knows the truth.
Naw. I don't wanna make her sad.
Brian looks at him, and nods.
Yeah. Maybe you're right.
Brian sits beside Anthony. The weight of their unspoken words rests
heavily on their shoulders, as they quietly turn back to watch the
INT. SCHOOLHOUSE - DAY EIGHT
The children are all in their seats, giving Teresa their full attention.
She stands at the front of the class, proudly surveying her pupils.
She holds the winning essay in her hand.
This was a most difficult decision. Each one of your essays was
deserving of a prize. However, there was one that stood above all
Brian and Anthony sit nervously in their seats, hanging on her every
I am very happy and proud to announce that the winning essay, to
be read at Parent's Day, was written by Anthony.
The class reacts, at first surprised, then with scattered applause.
Anthony is stunned. Brian nudges him.
Teresa holds out his essay and waits for him to come forward. Anthony
shakes himself out of his reverie. He gets up and walks slowly to
the front of the class. As he walks, he becomes disoriented and
Teresa and Brian react, alarmed.
She steps toward him, and he suddenly collapses in her arms. Brian
is instantly at her side. The rest of the children react, startled
Brian, quickly. Help me take him to the clinic.
Teresa and Brian hurriedly carry an unconscious Anthony out of the
INT. CLINIC - DAY EIGHT
Mike is all business, as she examines the now-conscious Anthony.
She checks his pulse, respiration and pupils.
Anthony, can you hear me?
Anthony nods slightly, still somewhat disoriented.
Can you speak?
No answer. Mike gently lifts his left hand.
Anthony, squeeze my hand?
He squeezes her hand softly. She then lifts his right hand.
Now, one more time.
CLOSE ON ANTHONY'S HAND
as Mike lowers his hand to the bed. She looks down at him, concerned.
A beat, then:
Grace and Robert E burst through the door.
Grace rushes to Anthony's side.
Is he alright?
They look to Mike for the answers.
It appears as if Anthony has suffered a slight stroke.
Grace and Robert E react, alarmed.
There's some weakness on the right side, and his speech has been
Grace leans in close and strokes Anthony's forehead. Anthony struggles
(slurred) What's wrong?
Mike shoots Grace a look -- Please tell him. Grace looks to Robert
E. She falters a moment, another crack in her resolve. Then, she
regains her composure.
Hush now, I'm here.
Robert E holds her look a moment, but relents and steps closer,
taking Anthony's hand.
We're both here, son.
He looks up to Mike, somber, the grim reality of Anthony's death
now looming before them.
INT. CLINIC - LATER - DAY EIGHT
Mike is making notations on Anthony's chart. Grace enters from the
recovery room. Mike looks up.
Grace glances away and sees Anthony's red scarf laying on the examining
table. She picks it up, holding the soft wool close to her face.
Mike watches in silence, saddened for Grace, who is desperately
trying to find the strength to face her son's imminent death.
A long silence hangs between them. Then Grace looks to Mike, tears
brimming in her eyes.
I don't know how to say goodbye to my son.
Mike moves to her, taking Grace in her arms. Grace allows the first
waves of grief to wash over her, and cries in Mike's embrace.
OFF Mike, holding her silently, her own heart breaking for her dear
friend. As we slowly...
END OF ACT THREE
INT. RECOVERY ROOM - DAY EIGHT
Mike sits quietly beside Anthony's bed. Robert E and Grace enter
the room. Anthony opens his eyes at the sound. Mike stands to let
Robert E and Grace sit down on the bed beside Anthony. Grace looks
down at him and smiles.
Anthony struggles to sit up. Robert E quickly helps him.
(weakly) Hey, Ma.
Grace looks at Mike. She wants very much to do right by Anthony,
but it's so hard to know what to say. Mike puts her hand on Grace's
shoulder. Grace draws strength from the support of her friend.
Mike moves back just a bit as Grace turns back to Anthony.
(to Anthony, quiet dignity) Anthony -- I know you been wantin' to
talk to me -- 'bout things --
He's relieved to hear that she knew of his desire.
But I was so afraid I'd say the wrong thing -- I made the mistake
of not sayin' anything.
That's all right, Ma.
No it ain't. But we're here now. Me 'n your Pa. To talk about anything
Anthony hopes he can speak completely candidly, but he's not quite
Anthony takes them at their word. He dives in.
I been -- kinda wonderin' -- do you know what's gonna happen to
me? When I die?
This is as hard on Robert E and Grace as they knew it would be.
Mike speaks to Anthony with quiet authority, not hiding anything
from him, not making it scarier than it is.
Well, what happens is -- everything slows down and then -- stops.
First your heart stops beating and then your breathing stops.
(quietly) Does that hurt?
(sincerely, with love) No. There is no more pain.
And then what?
(simply but with conviction) And then your soul is gonna fly straight
up to Heaven where God's waitin' for you.
(worried) What if I don't recognize Him?
Oh, He'll recognize you.
I wish --
He can't bring himself to say it.
Go ahead. You wish what?
(very quiet) I'm gonna miss you so much.
Grace is nearly undone by this. Robert E moves in to reassure his
You won't have to miss us for long, son. In heaven, years seem like
seconds. Hardly before you can even turn around, there we'll be.
Me 'n your Ma.
(relieved, happy) You mean it?
(passionately) You know I do.
Grace and Robert E enfold Anthony in a warm hug.
moves away, slightly. She wants to give the three of them this personal
INT. BARN - DAY NINE
Brian is in the barn. Matthew comes in.
I thought you'd left to go see Anthony.
Brian looks up at him, looks away.
(building emotion) I don't know what to say to him, Matthew. I don't
know what to do. He's the best friend I ever had -- and he's goin'
away and he ain't never comin' back -- and I don't know how to tell
him that I don't want him to die.
(gently) You think he doesn't know that?
Brian looks at him, close to breaking. Matthew hugs him, tight.
I'll tell you somethin' else he knows. He knows you're hurtin' as
bad as him.
(torn up) What am I supposed to say?
You don't have to say anythin'. Just bein' with him is all he needs
EXT. RECOVERY ROOM BALCONY - DAY NINE
Anthony sits in a make-shift reclining chair, enjoying the feel
of the sun on his face and the sound of the bustle of the town below.
The cap Robert E gave him rests on his lap. Brian comes out onto
the balcony. Brian's mood is subdued, but there is a peacefulness
that settles over him as soon as he sees his friend.
Brian sits down in the chair next to Anthony. Anthony looks over
to Brian, visibly weakened since the last time Brian saw him. He
smiles at Brian.
I wake you?
Naw. I was just thinkin'.
Brian nods. Anthony looks at him again.
Remember how you used ta read to me from Robinson Crusoe -- when
I first came to town.
Yeah -- ?
You were always wantin' to go on an adventure -- to far off places
Brian smiles, nods.
Ya even got me to try to hop the train with you -- remember?
I'll never forget that day.
They both laugh remembering the ill-fated trip.
That was a really stupid idea.
Then they sit in silence a beat, considering the adventure Anthony's
about to undertake.
Anthony takes the cap from his lap with his left hand and gives
it to Brian.
I'd like you to keep this for me.
Brian takes the cap, reverently turning it over in his hands. Tears
well in Brian's eyes, Anthony sees Brian's discomfort, but continues,
not giving into his feelings, all business.
But you gotta promise you'll take good care of it. Don't mess up
the bill, keep it straight, and smooth it down nice and flat when
you take it off at night.
(very quietly) I will.
And don't go lettin' some girl wear it or somethin'. She'd prob'ly
forget to give it back to ya and it'd sit around her house bein'
lonely for ya.
I wouldn't ever.
Good. I feel better, then.
Anthony smiles, then eases back into his chair. He's tired. Brian
sits quietly beside him, composing himself. Then he scoots his chair
right next to Anthony's and puts his arm around his shoulders. A
quiet moment, and then:
Are ya scared?
They sit, comfortable with each other, their friendship sealed for
EXT. HOMESTEAD - DAY NINE
Mike kneels beside her garden, tilling the soil with a small spade.
She hears a whistle. She sits up, listens for it again. It comes
Sully -- !
She jumps up and hurries off in the direction of the whistle.
EXT. WOODS - DAY NINE - CONTINUOUS
Sully smiles as Michaela comes running into his arms. They hold
each other tight during this entire exchange.
Sully! Oh, Sully! I've been so worried --
Sh-sh-sh. I know. I'm sorry.
No -- I'm sorry. I'm so sorry I didn't tell you about the baby when
you first came home.
You did tell me. As soon as you could, you told me.
But then I couldn't find you and I was so afraid --
No, no, no. It's all right. I just had to sit with it -- by myself
-- for awhile. Let it sink in.
She pulls away, slightly, looks up into his eyes.
Are you all right?
He nods. Takes her hand and sits her down beside him.
I need you to tell me about it. Everythin'.
She leans up against him, overwhelmed with feelings of love for
him, secure again in his love for her. As he holds her:
Shortly after you left, I started feeling so tired. I didn't think
much of it, with all that had been going on --
CAMERA STARTS TO PULL AWAY from them...
But then one morning at Grace's, I felt sick. And I knew. There
was only one other time in my life I'd felt like that. I was so
excited -- and frightened -- and -- thrilled.
CAMERA continues to pull away and we:
INT. RECOVERY ROOM - NIGHT NINE
Anthony is asleep. Robert, E and Grace stand together near the bed,
When he first came to stay with us -- some nights I'd get up and
sneak into his room just to make sure he was all right.
I know. (a smile) I used to follow you.
Remember that first day -- when he stole the apple pie I had out
(remembering, smiling) Ended up with pie all over his face --
An' all over Dr. Mike's dress.
They both laugh, slightly, to themselves in the memory of it.
(loving Robert E for it in hindsight) An' you got so determined
he was gonna come live with us.
(simply) Seemed like he was s'posed to.
He'd watch you so close -- tryin' to walk like you, talk like you.
(beat) The day you walked him to the schoolhouse -- to make sure
they let him in -- he was so proud to be your son.
Robert E puts his head into his hand, fighting back the emotion.
Grace puts her arms around him.
They stand, holding each other, not wanting to miss one precious
second of whatever time they have left with Anthony.
EXT. SCHOOLHOUSE - DAY TEN - ESTABLISHING
INT. SCHOOLHOUSE - DAY TEN
The children are all in their seats. Anthony and Brian sit side
by side, dressed in their Sunday best. The parents all stand along
the back wall, include Grace, Robert E, Mike, Dorothy (with pad
and pencil), Andrew, Matthew, LOREN and the REVEREND.
Teresa stands in front of the class. The banner strung across the
chalkboard reads: WELCOME PARENTS. A podium sits in front of the
Teresa steps forward.
I'd like to welcome you all to Parent's Day -- a celebration of
our students' accomplishments during this past year. We'll begin
our program today with a presentation by one of our brightest students.
Teresa looks to Grace and Robert E, who nod, putting their past
disputes to rest.
He will read you his winning essay, "A Place Called Home."
The parents and children applaud as Anthony stands up. He holds
his essay in his left hand. He leans on the desk for support. He
looks back to:
ROBERT E AND GRACE
smiling at him, trying to maintain their composure.
Anthony looks to Brian, who nods and smiles. Anthony takes slow,
tentative steps, limping because of his weakened right side. Brian
stands and offers his arm for support.
steps aside as they pass her, tears brimming in her eyes.
Anthony and Brian reach the podium in the front of the class. They
turn to face the crowd -- a sea of smiling, warm supportive faces.
Anthony leans on the podium. Brian sits to give Anthony his moment
in the sun.
(his voice clear and steady) My home is Colorado Springs. You talk
to anybody here, they can tell you their favorite thing about our
town. But I can't -- 'cause I don't have one. I have a hundred.
ON LOREN AND DOROTHY
surprised and pleased by Anthony's literary turn.
I love walkin' down our main street, stoppin' to see what's in the
Gazette, or pickin' up some hard candy at the Gen'ral Store.
ON ROBERT E AND GRACE
Or stoppin' at my Ma's cafe for a piece a apple pie, an' listenin'
to the sounds of my Pa's anvil ringin' through the town.
ON MATTHEW AND THE REVEREND
I love the meadow where you can run and play and won't nobody stop
you and tell you you don't belong.
EXT. CEMETERY - DAY ELEVEN
Most of the same people who were in the schoolhouse are now at Anthony's
gravesite. The Reverend presides over the burial. Mike stands with
her arms around Brian, who is now wearing Anthony's cap. The mourners
include Dorothy, Loren, Matthew (holding Katie), Teresa and Andrew.
Some Shanty Town residents are also there.
ON THE REVEREND
Finishing up whatever reading he's doing from memory.
An' just beyond our meadow, we got a church -- an' a Reverend who
can see what you're thinkin' without even usin' his eyes.
As she steps forward to place a flower on top of the grave.
We got a lady doctor who cares 'bout how you're feelin' -- who finds
out what's wrong with you without makin' it hurt more.
is next to place a flower.
An' I got the best friend anybody could ever want to have. A friend
who makes ya feel like anythin' you want to do you can if you try.
As the other mourners file past to place their flowers on the grave.
We got every kinda person you can think of in Colorado Springs.
An' mostly they all get along. But I guess the best thing I found
CLOSE ON ROBERT E AND GRACE
watching the mourners file past.
-- was a Ma and a Pa who wanted me in their family and who loved
me even when I was scared an' who taught me the only thing you ever
have to be is yourself.
WIDER - AS CAMERA BEGINS TO PULL BACK
I lived in a lot of places in my life and Colorado Springs is the
best place I've ever known. An' I know no matter where I go, I can
always close my eyes and dream that I am home again.
The mourners begin to leave. Mike, Brian, Robert E and Grace hold
onto each other for support, with Matthew and Katie nearby. As we